Sunday, October 25, 2020

Group Instincts and Modern Politics

Identity without biology


tl:dr Some aspects of our identities activate in-group social instincts, and it’s easy for people to organize politically along those lines. Other aspects of our identities relate more to distinctions within the in-group or within a family structure, and it’s difficult to organize politically along such lines. 

Why is it so much easier to organize African Americans around fighting racism than it is to organize poor people around fighting poverty? Why is it easier to convince poor, white Americans that Muslims are a threat than to convince them that the rich are taking more than their share? Fifty years ago, Martin Luther King tried to unite poor whites and Blacks, but that dream died with him. Why the big difference? Maybe the difference derives from humans’ in-group and out-group instincts.  

Our tribal instincts organize our brains to respond to tribe-versus-tribe conflicts with much stronger emotions than when they respond to conflicts within the tribe. As a result, Christians and Muslims are primed for conflict, while poor people don’t find it natural to organize as a class or group. Below I’ll offer a basic take on nine aspects of identity, pointing out how some of them activate the brain’s tribal programming pretty well while others fail to do so. 

Nine Aspects of Identity

This list comes from the “ADRESSING” model of identity and oppression (see end of post).


Age

All human societies recognize age categories within the group, and these are grounded in biology. Nobody identifies as, say, a “teenager” the way people identify as “Germans” or “Catholics”. 

Tribal Politics: It’s an in-group distinction, and it has low political salience. 


Disability

Disability is a biological reality with broad social implications. Disabled people organize politically, but disability is not a source of identity the way language or religion can be. 

Tribal Politics: In-group, low politics. 


Religion

Religion uses symbolism and ritual to unite people, and before modern times it was the only way to unite different tribes or nations. It’s a breeze to re-orient religious enthusiasm and convert it into hostility toward outsiders. Today, we see hostility across religions lines all over the globe. 

Tribal Politics: Religion distinguishes between “us” and “them”, and it has high political salience.


Ethnicity

Ethnic identity traditionally determined one’s nation, language, religion, and homeland. Armenians, for example, belonged to Armenian culture, and a Navajos belonged to Navajo culture. Today, of course, everything is more complicated, as it was, for instance, in the Roman Empire. Still, even today it’s easy to get most people to identify emotionally with their ethnic groups, especially when there are conflicts with other groups. 

Tribal Politics: Between-group, high politics.


Social Class/Culture

People commonly admire the successful people in their own “tribes.” My daughter loves BeyoncĂ© because BeyoncĂ© is a boss. Like chimpanzees and bonobos, humans defer to high-status individuals within the group. How easy is it for the rich to keep the poor divided by race and nationality? Way too easy. In some societies, class and ethnicity align more or less well, especially when class definitions are explicit and legally enforced. When not linked to ethnicity, class still comes with some of ethnicity’s trappings, such as distinctive dress or accents. 

Tribal Politics: In-group or between-group, middling political salience.


Sexual Orientation

Sexual desire operates on its own agenda, cutting across lines of social identity, and often at odds with a conservative religious identity. Oppression and hostility give the LGBTQ+ crowd good reason to organize politically, but “tribe-style” identities seem powerful compared to sexual orientation. 

Tribal Politics: In-group, middling politics.


Indigenous Background

This category is a special case of the more general tendency to form exclusive groups based on ethnicity and nationality (especially in the broad sense). 

Tribal Politics: Between-group, high politics. 


National Origin

Humans are unusual among social animals in that we can tell which strangers are in our society and which are not. A nation is a level of social organization above the tribe, historically allowing tribes to work together and allowing strangers to trust each other. Traditionally, nations have been defined by shared language, religion, lifestyle, and ethnicity. Consider Armenians, Navajos, Danes, etc. Largely, the point of a nation is to get people within it to treat each other better than they treat outsiders. Nearly all Americans, for example, would say that our federal government should concern itself more with our well-being than with the well-being of Argentinians. Politically, it’s easy to get people riled up about their nation, and something like a massive terrorist attack can get even liberal intellectuals to put flag stickers in their car windows. 

Tribal Politics: Between-group, high politics. 


Gender

Traditionally, men and woman have often had single-sex social groups, but our tribal instincts are organized to unite men and women in the tribe with each other and against the enemy rather than to unite women against men or vice versa. Gender may be an important part of one’s personal identity, but it’s not typically a political identity. In fact, filling a man’s role often means competing with other men for status, and the same goes for women.  

Tribal Politics: In-group, low politics. 


The Nonbiological ADRESSING Model

Leticia Nieto’s model of identity and oppression treats these nine aspects of identity as if they are all analogous to each other, with no real sense that humans are flesh-and-blood animals. Being Black, in this model, is essentially like being disabled. My late wife was both Black and disabled, and I can tell you that these two aspects of one’s identity are not essentially the same. In college I studied 20th century social sciences, and half of what I learned was well-meaning bogus stuff that I later had to unlearn. Nieto’s ADRESSING model fits the pattern of 20th century social science because it’s formulaic and nonbiological.


Missing Aspects of Identity

Three biologically potent aspects of identity are missing from the ADRESSING model. 

Language is a primal indicator of who is “us” and who is “them”, as people with thick accents can tell you. Little children seem to intuit identities based on language at an earlier age than identities based on race. The high political salience of language aligns with that of ethnicity, nation, and religion. Say yes to the Oxford comma, or else let’s fight!

Family is a primal source of personal identity, especially perhaps the mother-child connection. It has low political salience in general. The conflict of “young versus old” gets some traction, but that isn’t exactly a conflict between offspring and parents. 

Individual flesh-and-blood reality—the “crazy diamond” of one’s own unique phenotype—can be a major aspect of one’s personal identity, especially for those of us who diverge from the average in mental or physical terms. Political salience is low.

See Also

My review of The Human Swarm by Mark Moffett, which explains the unusual human penchant for identifying not just with clans of people we know but also with larger societies of people who are “us” even though they’re strangers.

What Jonathan Haidt’s The Righteous Mind means to me and resources for learning about it

Sunday, October 18, 2020

Crow Scientist is Live

For years, I’ve been fascinated by crow behavior, and now I have something to show for it. It’s the free app that shows kids how to observe crows the way a scientist does, and for this project I had the pleasure of working with John & Colleen Marzluff. It was a real treat to learn about crows from the experts. We talked for the first time in May, and the app is done already, with Karen Lewis’s art and all. We need feedback from players, and we need 5-star reviews. Here’s a link to the official Crow Scientist page.

The app naturally relates to my overall goal of teaching evolution science to children. Specifically, it teaches two important lessons about natural selection. First, what allows animals to survive is their behaviors. Kids observe crows and note their behaviors on checklists. Second, animals have lots of offspring, most of which die. One checklist is for breeding season observations, including young crows ending up killed. 

Doing the heavy lifting for the app was David Marques, who also published Clades Solo. He’s a creative partner as well as the programmer, and he added a wonderful feature to the app: you can add in your own photos of the behaviors you see. I’ve started adding my own photos, and it’s silly how fun it is. Players can even submit their photos to Phosphorlearn for possible use in the app. 

Kids can also submit their crow art, which the Lead Crow Scientist will post on Instagram. That’s Colleen Marzluff. She’s passionate about kids, nature, and science. You can submit art on the Phosphorlearn page or contact Colleen directly on Instagram.



Sunday, October 4, 2020

Gospel Anti-Semitism in Jesus Christ Superstar

My friend James blogged about
this live performance of JCS

The 1973 rock opera Jesus Christ Superstar has an amazing soundtrack, and you can use the story to learn about anti-Semitism in the Christian gospels. First-century Christians wrote the gospels after a war between Jerusalem and Rome. The first Christians had all been Jews, but at the end of the first century there were plenty of gentile Christians as well as Jewish Christians who denounced mainstream Judaism. These early Christians compiled and promulgated the gospels in part to show everyone that it was the wicked Jews who were the enemies of Rome and not the good Christians.  

Jesus was a hillbilly exorcist and apocalyptic prophet. The Jewish leaders had him killed as a threat to public order, which he was. His story has gotten embellished and retold several times. Jesus Christ Superstar delivers a great story, mostly by playing up the conflict between Jesus and Jews: Jewish leaders, the Jewish mob, even his Jewish disciples. Each song contributes a little bit to our understanding of anti-Semitism in the gospels. 

No Talk of God then We Called You a Man. As a Jew in good standing, Jesus never claimed to be God. The fourth gospel portrays Jesus as divine, as misunderstood by the Jews, and as something of a Jew-hater.

What’s the Buzz. The song shows Jesus’ Jewish disciples to be fools. 

Strange Thing Mystifying. Christian churchmen started talking down Mary of Magdala pretty early, and her she is a woman of ill repute. It makes for good drama but, this tradition is not in the gospels. In this song, Jesus rebukes the disciples. You know, the Jewish disciples.

We Are Decided. The leaders of Jerusalem had little choice but to take out trouble-makers to prevent insurrection. They kept the peace through Jesus’ life and for decades after, until AD 66. Historians are divided over whether Jesus styled himself as the king of the Jews.

Everything’s Alright. Here’s another opportunity for Jesus to rebuke his Jewish disciples. After Jesus’ execution, Mary of Magdala might have been the first follower to have a vision of Jesus after his death, but the gospels limit her role. Did Jesus have sex with followers? Maybe, maybe not. There’s not a trace of churchmen denying the charge, so I figure it probably didn’t happen.

This Jesus Must Die. If this rock opera makes High Priest Caiaphas and the other leaders of the Temple seem wicked and creepy, that’s pretty much what the gospel authors would have wanted. 

Hosanna. Historians are split on whether Jesus really did ride into Jerusalem on a donkey. The gospels have the Jews hail Jesus as their king (“messiah”) so that when they turn on him later it comes across as particularly wicked.

Simon Zealotes. Here, Simon refers to Jesus as “Christ” (“messiah”, “anointed [king]”). Historically, Jesus didn’t claim to be the awaited king, but the story is better if it’s their own king that the Jewish leaders execute.

Poor Jerusalem. The Jewish leaders and people don’t understand at all. Jerusalem closes her eyes to the truth.

Pilate’s Dream. Historically, Pilate was a brutal ruler, assigned to rule Judea by decree because no client king could keep these locals in hand. The gospels make this villain into a complex and sympathetic figure, tormented because the Jews force him to crucify their own king, an innocent man.

The Temple. The more of a cesspit this place is, the worse the Jewish leaders look. Historians figure Jesus got crucified for causing a disturbance in the Temple, but the details are not reliable. For sure, the Temple was a source of huge wealth for the Temple leaders, and it probably featured a graven Roman eagle over the main entrance, so there are reasons that Jesus, a penniless exorcist from the sticks, might pitch a fit here. 

I Don’t Know How to Love Him. Even Mary of Magdala, the Jew who knows Jesus the best, doesn’t understand who Jesus is. 

Damned for All Time. Historians are split on whether there was a Judas, and I don’t think so. His name sounds a lot like “Jew”. Who could be so terrible as to betray Jesus? Mr Jew, that’s who! Great song, though. [EDIT: James McGrath helpfully pointed out that the name Judas doesn’t just sound like “Jew”, it was actually the common Jewish name, Judah, the biblical figure that Jews are basically named after. The Jews represent the tribe of Judah, that is, the tribe of Judas. His blog post.]

Last Supper. Boy, those Jewish disciples really are losers, aren’t they? Especially that traitor, Mr Jew.

Gethsemane. Jesus knew that he was about to pay the ultimate price, but those faithless Jews can’t even stay awake with him. 

The Arrest. Mr Jew betrays Jesus, and the disciples are obsessed with fighting. The Jewish people turn on him. 

Peter’s Denial. Historically, Peter was the most prominent Christian leader outside of Jerusalem, at least until Paul came along 20 years later. The gospel writers spent extra time cutting Peter down, such as in this scene where he denies Jesus. 

Pilate and Christ. The gospel writers wanted the Romans and everyone else to know that it was the Jews that were the problem, and Christians aren’t Jews any more. It’s the Jews that lost a war against Rome, just as God planned, and now the Christians are God’s chosen people. 

King Herod’s Song. This scene is not historical, and it’s one more example of the Jews failing to recognize their king. 

Could We Start Again Please. Mary still doesn’t understand. Historically, Jesus’ crucifixion seems to have caught his followers by surprise, and they fled back to the hinterlands of Galilee. His followers were surprised because crucifixion wasn’t part of the plan, but in the gospels they don’t understand even though it is part of the plan, and that’s worse. 

Judas’ Death. Mr Jew’s sin is unconscionable, and the Temple leaders are creepy. Great combo. 

Trial Before Pilate. Historically, it’s hard to understand why the Roman prefect would care or even notice if the local leaders wanted someone crucified as a trouble-maker. In this song, Pilate judges him innocent and tells the traitorous Jews that he’s their king. The Jews demand that he be not just flogged but crucified. 

Superstar. Historically, the disciples did not know how Jesus’ crucifixion fit into God’s plan, but Paul came along 20 years later and came up with an explanation. Is this the least anti-Semitic song in the soundtrack?

The Crucifixion. The Roman’s were expert at inflicting punishment, and crucifixion was a horrific way to go. In this song, you hear Jesus forgive the Roman soldiers that nail him in, reinforcing the theme that Christians are good Roman subjects, not like those traitorous Jews. One anti-Semitic detail that they left out was the Roman soldier recognizing the crucified Jesus as the Son of God. That gospel scene was meant to show that gentiles recognized Jesus while his own people betrayed him.

John 19:41. This verse refers to Jesus’ empty grave, a story designed to reinforce the idea that Jesus really did rise bodily from the dead. John’s gospel downgrades Peter, acknowledging him as the lead apostle only in a bonus resurrection appearance tacked on as an epilog.


Humans love stories, and stories need conflict. The gospel writers set up a conflict between Jesus and “the Jews”, and Jesus Christ Superstar takes this theme and runs with it. Great story, bad history, baked-in anti-Semitism, great vocals—quite the combo. 

[EDIT: Fixed the bit about the church tradition and Mary of Magdala, which I had gotten wrong.]

‘Bible and Music Update’: Religion professor James McGrath commented on this post.